A couple and their hallucinatory journey to the dark side of passion. Renata is driven by a longing for the consummate sexual encounter. Since her youth she has had a vision of an ecstatic conjugation with a shining angel. Ruprecht falls for Renata and follows her unreservedly on her obsessive quest to fulfil this fantasy. The couple cross the boundaries of perception, leaving behind all traces of morality or reason, until their willingness to devote body and soul completely to one another threatens to pull their previous existence apart.

Sergey Prokofiev's operatic tragedy The Fiery Angel was never performed in the composers lifetime the musics brittle energy, drama and eloquent lyrical tenderness would re-emerge in his Third Symphony. The narrative focuses relentlessly on Renata, who is haunted by an angel who turns out to be the devil. Director Emma Dante describes the opera as an explosive mix of fantastical realism and endless confusion of nightmares, madness, sexual impulses and cultural clashes, and this Teatro dellOpera di Roma production was acclaimed as a presentation of Prokofievs masterpiece which sparkles in all its grotesque glory (operawire.com)

The production by Calixto Bieito extracts all the potential from this work in a most convincing and spine-chilling way. The action takes place in a closed society of the 1950s, taking this story of witchcraft, sex and religion to the realism of imitation leather sofas, crochet cardigans, medical abuse and child molestation.

This modern interpretation of Georg Frederick Handel's opera focuses on Rinaldo's attempts to break free from enchantress Armida and reunite with his true love, Almirena. In addition to the live performance, the program also includes a Handel documentary, which explores the composer's career and many achievements.

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Queen Semiramide is haunted by the ghosts of her past. Together with her lover Assur, she once murdered her husband King Nino; a deed which ever since has weighed heavily upon her. With her marriage to Arsace, she hopes her soul will at last find solace. Her love, however, is misplaced. Arsace not only loves another, he is also, as is later revealed, the son Semiramide and Nino believed to be dead. He is faced with a decision: should he avenge the death of his father – and thus become his mother's killer?

For this new production at the Bayerische Staatsoper, stage director Kornél Mundruczó and conductor Andrea Battistoni don’t shy away from the violence in this score and libretto. The 1970s setting presents the action as Cavaradossi incarnating Pier Paolo Pasolini in his final days, filming his controversial movie Salò.

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Die ägyptische Helena (The Egyptian Helen), is an opera in two acts by Richard Strauss to a German libretto by Hugo von Hofmannsthal.

Penderecki's Opera of an entire convent, in the small French village of Loudun, apparently possessed by the devil.